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The Farmer's Daughter, by Jim Harrison
PDF Download The Farmer's Daughter, by Jim Harrison
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The collection's title novella, "The Farmer's Daughter," opens in the unforgettable voice of a 15-year-old girl living a life of solitude in rural Montana, where she has recently moved. Home-schooled by parents who don't fully understand her, she finds escape in the rapture of playing piano and exploring the gorgeous countryside on her horse. Several important mentors teach her that there's more to life than her fundamentalist mother wants her to know-and then her mother runs off with another man, leaving the girl to deal mostly alone with an unexpected assault that tests her mettle just as she was supposed to begin a normal teenage life.
In the next novella, Harrison picks up the thread of beloved recurring character Brown Dog, who when we last saw him was in Toronto to save his developmentally disabled adopted daughter, Berry, from being locked in an institution. But Toronto has run out of welcome, and Brown Dog and an unexpected benefactor hatch a crazy plan to sneak Berry back into the States on the tour bus of an Indian rock band called Thunderskins.
Harrison's final tale, "Games of Night," is the memoir of a retired lycanthrope in contemporary times. Misdiagnosed with a rare blood disorder brought on by the bite of a Mexican hummingbird, the protagonist attempts to lead a normal life, one that is nevertheless punctuated by hazy, feverish episodes of epic lust, physical appetite, athletic exertions, and outbursts of violence under the full moon.
- Sales Rank: #109491 in Audible
- Published on: 2010-01-27
- Format: Unabridged
- Original language: English
- Running time: 533 minutes
Most helpful customer reviews
27 of 31 people found the following review helpful.
One of my top five best books of the year
By Richard L. Pangburn
This is one of Jim Harrison's most satisfying books in many years. If you intend to read it, you might want to avoid all reviews and comments and simply read it fresh. If you need more incentive to read it, then read on.
The title, THE FARMER'S DAUGHTER, resonating with the many cliched variations of the joke, is a fine choice for the interplay of masculine/feminine in these three novellas, entirely different, yet linked by more than Patsy Cline's rendition of the Roger Miller song of alienation, "The Last Word In Lonesome Is Me."
The opening sentence of the first novella nails down the sense of alienation: "She was born peculiar, or so she thought." Her favorite idol is Montgomery Clift in "The Misfits." The first variation on the-farmer's-daughter is a coming of age story.
In the second novella, Harrison's everyman/Native American Brown Dog is the middle man, existentially and humorously muddling his way across, playing his part in creation but agnostic to the meaning of it all. When he hears "Who are we that God is mindful of us?" he turns the question around and says, "Who is God that we are mindful of Him?"
Harrison's symbols resonate on theme. Gretchen tells Brown Dog that they should go for three times at creation, "three, not two." She finds the creation act "bearable" but wants to stop at three. Brown Dog has "the absurd feeling of a reverse Christmas in May" and recalls the holiday line, "The moon on the breast of the new-fallen snow." He flops down on a trash bag "to make a snow angel."
The third roughly 100-page-novella in here is the more spiritual, a vampire story of altered consciousness, alienated but advancing toward love, at last remarking how wonderful it is to finally make love with someone you actually love.
The first novella opens with a line of alienation. The closing of the third novella ends with the protagonist recognizing the interconnectedness of living things, the ME of LonesoME diminishing in the evolution of the self toward empathy, a recurring point in Jim Harrison's Buddhism/naturalism worldview.
There is an epilogue to the third novella in which the protagonist encounters a dead bear and says "at least for a moment I felt as if we were cousins."
Jim Harrison's humor in here is a hoot. Somehow, I have to fit this onto my list of the top five best books of the year.
5 of 5 people found the following review helpful.
Had high hopes...
By John D. Blase
I've read all of Harrison and the man's a genius. The East coast literati have continually overlooked him and he doesn't give a damn. Love it. I didn't believe Dalva could be topped and then along came Returning to Earth...it could be the perfect novel.
The English Major was o.k., but a little disappointing. I had high hopes that big Jim would be back in rhythm for The Farmer's Daughter, especially with the hint of another Brown Dog story. Please hear me, I've underlined plenty of words and phrases the likes that only Harrison can conceive, but I believe this one fell short. As another reviewer hinted, Legends set the bar for me on novellas and this one just came under the bar. As Jim as written, life is like that sometimes. I'll still buy the next Harrison, even if its full of empty pages we're supposed to draw bears and women and rattlesnakes on.
His poetry lately is excellent...maybe that's where he's finding grace in these later years, with his first love - poetry.
10 of 13 people found the following review helpful.
Deja vu...all over again
By Jim Tenuto
Jim Harrison's works have always been among my favorites. Legends of the Fall is a novella that stands with Joseph Conrad's Heart of Darkness. Dalva one of the finest novels I have ever read. His poetry is masterful, muscular, spiritual, naturalistic. He is an American treasure, one of our most revered authors. In his books people actually breathe fresh air. They hunt, ride horses, camp, fly-fish, hike, living an active life. These are the books for the drawing rooms or the halls of academia. Harrison's characters have lives.
The Farmer's Daughter is a disappointing effort. Perhaps Harrison has mined his rich vein too often. The same bowl of menudo and Patsy Cline's "The Last Word in Lonesome is Me" find their way into each of the three novellas. The novella that gives the collection its title covers well-trodden Harrison themes. As in many of his books and novellas a piece of property is inherited by the protagonist, giving a sense of freedom and isolation. The second novella features Brown Dog, Harrison's Native-American alter-ego, a libidinous ne'er-do-well attempting to rescue his profoundly damaged daughter from the clutches of the state bureaucracy. The third novella, the best in this weak collection, returns to another of Harrison's trusty themes, werewolves. (In his memoir Harrison confesses that one night he's convinced he himself turned into a wolf! He also mentions in the introduction to that memoir that memory is a funny thing and he couldn't vouch for even his own veracity.)
Don't let this be your first introduction to Jim Harrison. Nearly everything else he has written is better.
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